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Maison du Brazil -- Cité Universitaire
Octobre 12th -- 17 h
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In transition (In Transit) |
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Cavi Borges
Brazil
2010 | Digital | 0:12:00
Rendez-vous in a cloudy afternoon in Rio de Janeiro. |
Water Path (O encontro das aguas) |
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Bruno Torres, Evaldo Mocarzel
Brazil
2010 | Digital | 0:07:00
A poetic observation of the water cycle in Chapada dos Veadeiros |
The Film I Did Not To Forget (O filme que eu fiz para nao esquecer) |
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Renato C. Gaiarsa
Brazil
2011 | Digital | 0:30:30
Director Renato Gaiarsa re-examines moments of his relationship with his girlfriend, in images that register bits of life together - a trip to Uruguay, fragments of a crisis and the beginning of a separation. In the moment that he leaves the apartment they lived in, the filmmaker collects new images. Later, when he goes to edit them, he encounters new meanings in everything he went through and re-evaluates his feelings, thinking about what he really wants from life. |
The Other Side of the River (Do outro lado do rio) |
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Baruch Bliumberg, Carmen Ligia, Cleiton Lobo, Pedro Ivo Marques
Brazil
2010 | Digital | 0:11:00
The film tells the story of a fisherman brutalized by life's circumstances and portrays the daily life with her daughter, a shy girl and full of dreams.The recording was made in a bar in Aracaju and at Barra dos Coqueiros in Sergipe. |
No Stopping (Sem Parada) |
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Christian Caselli
Brazil
2011 | Digital | 0:06:00
A unusual fact which happened in July 2010 at Largo da Carioca in Rio de Janeiro dowtown which clearly reflects the atmosphere of "shock" which has been dominating the town lately. |
Asphyxia (Asfixia ) |
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Fábio Aguiar
Brazil
2011 | Digital | 0:19:00
A gray city with kilometric jams. The increasingly unbreathable air. All are equal in the immensity of the city.
ABC Award for best film photography college in 2011.
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FISDN 2011 : Honoring the (different) Worlds : Pointing Out |
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October 5th to 16th 2011
We present film series focused on 16 different countries and regions. This section intends to discover and explore different spaces and cultures with the aim to understand the specific regional, political and social circumstances, do reconstruct the emotional and intellectual spécificities of a special region or country. In this critical work we belief it's essencial to prefer films which rufuse, in its form and expression, the retake of sterotype ways of reality restituition, as an act of resistance in the actual period of "globalisation", which inclins to impose one dominating model of culture and habitutes.
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