André Lavaquia
Brazil
2010 | Digital | 0:15:00

"Raz," played by an actor of Nós do Morro, Arthur Bishop, a boy who sings rap in subway cars and try to construct his own way through the city streets.

Marcos Pimitel
Brazil
2010 | Digital | 0:16:00

Over the debris and remains of contemporary cities the new urban warriors daily improvise through streets and ruins.... Representatives from different tribes try their everyday wars for survival dwelling in an unequal territory in ongoing unbalance. This is a documentary film which lays bare the contrasts and contradictions we are provided with when living in a city.

Coletivo Asterico, Felipe Peres Calheiros
Brazil
2010 | Digital | 0:19:00

In the 1990th, with the recovery of ethanol and the expansion of sugarcane plantation, 15 000 families were evicted from their sites in the forestzone of Pernambuco. Maria Francisca decided to resist.

Fernando Coimbra
Brazil
2010 | Digital | 0:19:00

The Man, the Machine and the Trip. Impressions on the daily routine of cargo locomotive drivers in Brazil.

Cristina Miranda
Brazil
2010 | Digital | 0:05:00

O SAL DA LUA is a short move about the cost of the colonial presence in the streets of Rio de Janeiro. The film mixes images of Rio and Paris, how to draw a disturbance among the two cities, through a night journey made by a female character who walks through the city to the sea.

Alfonso Nunes
Brazil
2010 | Digital | 0:14:00

Imagery manifestations are revealed in a finite geographic space, limited by the insignificant actions of the characters.

Gilson Vargas
Brazil
2010 | Digital | 0:14:00

A man strugles to keep his memories.

FISDN 2011 : Honoring the (different) Worlds : Pointing Out

 
We present film series focused on 16 different countries and regions. This section intends to discover and explore different spaces and cultures with the aim to understand the specific regional, political and social circumstances, do reconstruct the emotional and intellectual spécificities of a special region or country. In this critical work we belief it's essencial to prefer films which rufuse, in its form and expression, the retake of sterotype ways of reality restituition, as an act of resistance in the actual period of "globalisation", which inclins to impose one dominating model of culture and habitutes.