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Programme
Focus Finlande
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Mercredi 24 juin 2009 / 21 h
Institut Finlandais
Paris
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1-7=72=0 |
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Kauko Lindfors
Finlande
2007 / 0:12:34
A highly subjective experimental documentary that shows how a human brain becomes more and more sick while experiencing appropriate care. The film is based on actual facts.
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Always decent |
Aina kunnollinen |
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Katja Pallijef
Finlande
2007 / 0:20:00
The 70’s. Elvis dies. Arents divorces. He establishes an introductory theory in mathematics. A documentary about "the confusion a child experiences when facing facts of life(?) ". Fully based on the archives. es années 70.
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Summer Child |
Kesän Lapsi |
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Iris Olsson
Finlande
2007 / 0:59:00 / VOSTF
During the summer, a Finnish couple welcomes a Russian orphan who lives 60 miles away. Geographical proximity is all that Sveta, of 11 years old, and this generous couple, have in common. Sveta does not speak and the couple is struggling to push her out of her shell, speaking to her in Finnish, a language she does not understand. They communicate rather through story-telling before turning off the light, transferred in shops and beekeeping. The summer child of the summer explores intrigued and reveals the roles associated with charity. Good intentions are sufficient to acclimate Sveta in the western world and give her a childhood? The film points to the cultural and economic gap between Finland and Russia, through the difficulties that Sveta encounter to create a contact with Tiina and Peter and to speak freely, going beyond the barriers of her status of orphan and going beyond the status of a charity accomplishment.
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PrePost |
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Milla Moilanen
Finlande
2007 / 35mm / 0:15:00
Viewpoints on the western ideals of beauty in the dim light of history, aesthetic surgery and the standards of human form.
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2 - 5 Avril 2009 -
17 - 28 Juin 2009
Le FISDN présentons une série de programmes orientés sur 16 pays et régions différentes. Cette section honore une découverte et une exploration de différents espaces et cultures. Le but est de comprendre les spécifiés des situations régional sur le plan existentiel, politique ou social, de reconstruire le relief émotionnel et intellectuel d'une région ou d'un pays pris à part. Dans ce travail critique, nous avons préféré les films qui refusent, dans la forme et dans les moyens d'expression, le recours aux modes normées de la restitution du réel, les films qui résistent à cette période de "globalisation" qui tend à imposer un modèle unique de culture et de moeurs..
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