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Focus Danemark |
Samedi 7 octobre 2017 / 18 h
Fondation Danoise
Cité internationale
universitaire de Paris |
Forever Now
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Kristian Håskjold
Danemark 2016 / 00:18:30
After two years together, William and Cecilie break up. Trying to cope
with the break up in a loving way, the same night they decide to do
the drug MDMA together, isolated in their apartment. This results in
an emotional rollercoaster ride for better or worse lasting a weekend
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The Last One
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Den Sidste |
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Ivan Elmer
Danemark
2016 / 00:26:16
DEN SIDSTE is the story of, Michael, 34, a broken man
who tries to escape his demons in Copenhagen by seeking refuge in his’s vacation house, in the deep south of Denmark. His plan of
rehabilitation is working well until his best friend, Plesner 29,
shows up unannounced.
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Tadpoles
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Livo |
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Niels Holstein Kaa
Danemark
2016 / 00:20:00
LIVO, meaning "Isle of Life", is a tiny island in the Northern inland
sea of Denmark. Two young brothers venture into the magical natural
surroundings, collecting frogs, leaping tall trees and searching for
the elusive seals. At night, they embrace in bed trying to escape
their parents' violent fights downstairs. A story of childhood fears
and joys recollected.
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The Forbidden Language
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Sybilla Marie Wester Tuxen
Danemark
2016 / 00:19:00
With hands the ancient story is told, in hands the future is read,
from the signs we live our lives. The devil Iblis cursed the queen
Al-Uzza, but before she forgot the Uzzarian language, she called
together every parrot, and the language became the language of the
parrots.
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Lulus Forste Gang
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Tone Ottillie
Danemark
2016 / 00:21:12
Lulu is being bullied at school. The only place she feels secure is on
the internet, where she is dating Sebastian. He wants to meet in real
life, but Lulu is afraid. Especially when her secret relationship is
revealed to the bullying girls.
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5 - 15 octobre 2017
Le FISDN présente des films classés par sections provenant de pays et de régions différents. Cette section à pour but de faire découvrir et d’explorer différents espaces et cultures avec pour objectif de comprendre les circonstances régionales, politiques et sociales, de reconstruire les spécificités émotionnelles et intellectuelles d’une région ou d’un pays en particulier. Dans ce travail critique, nous pensons que c’est essentiel de choisir des films qui remettent en question par leurs formes et leurs expressions les stéréotypes habituels qui reconstituent une réalité ou un mode de vie. Ce refus est un acte de résistance contre la période actuelle de “globalisation“, qui pousse à penser un model de domination des cultures mais aussi des habitudes.
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