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Focus Canada |
Dimanche 15 octobre 2017 / 16 h
Maison des étudiants Canadiens
Cité internationale
universitaire de Paris |
Apocalypse bébés
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Anabelle Berkani
Canada 2016 / 00:05:30
Henry lies at the side of the road, bleeding out from a gunshot wound.
A young mother with a bizarre sense of appropriate uses his final
moments as a teachable lesson for her 6-year-old son.
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2BR02B : To Be Or Naught To Be
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Marco Checa Garcia
Canada
2016 / 00:18:00
Set in a dystopian future where population is strictly controlled, a
father waits for his children to be born. In a deserted hospital
waiting room, one man must ask himself exactly what he is willing to
do to give his children a chance at life, any life at all.
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12 semaines
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12 Weeks |
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Marc-André Girard
Canada, Quebec
2015 / 00:13:33
In the toilet of a shopping center, Lilly, François, and their
daughter Léa, 6 years old, must say goodbye to Sea-Sea, a 12-week-old
fetus.
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The Crow
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Anastasia L, Kacey Oliver Cox
Canada
2016 / 00:20:24
After being crowned Miss World Canada 2015, award-winning actress and
human rights activist Anastasia Lin is slated to compete in the Miss
World finals beauty pageant to be held in China... but because of
China's reaction to her stance, that's not the journey she ends up
taking.
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Cave of Signs
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Nathan Douglas
Canada
2016 / 00:10:10
A casual hook-up is waylaid by unusual circumstances - a nostalgic
collection of Byzantine icons. As two irreligious souls navigate the
space between the door and the bedroom, a desire for flesh betrays a
longing of spirit.
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Pour ma mère
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For My Mother |
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Manny Mahal
Canada
2016 / 00:17:48
A short film that retraces the final steps of my mother from our home
to the local grocery store entirely from her point of view.
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5 - 15 octobre 2017
Le FISDN présente des films classés par sections provenant de pays et de régions différents. Cette section à pour but de faire découvrir et d’explorer différents espaces et cultures avec pour objectif de comprendre les circonstances régionales, politiques et sociales, de reconstruire les spécificités émotionnelles et intellectuelles d’une région ou d’un pays en particulier. Dans ce travail critique, nous pensons que c’est essentiel de choisir des films qui remettent en question par leurs formes et leurs expressions les stéréotypes habituels qui reconstituent une réalité ou un mode de vie. Ce refus est un acte de résistance contre la période actuelle de “globalisation“, qui pousse à penser un model de domination des cultures mais aussi des habitudes.
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