|
|
****** |
Program
Focus Norway # 1 |
October 14th, 2011 / 8.30 pm
Cinéma Le Clef
Paris |
1987-1993 |
|
|
Marius Dybwad Brandwut
Norvège
2010 | Numerique | 0:12:00
A mother describes her relationship with her son, between intimicy and observation, perplexity and community.
|
| |
|
Shark Bait |
Haien Kommer |
|
Nini Castaneda
Norwège
2009 | Numerique | 0:10:00
A young boy is persecuted and mentaly tortured by his class mades because of the homosexuality of his older brother. One day he get the chance to teach them a lesson....
|
| |
|
Neglect |
|
|
Lilja Ingolfsdottir
Norvège
2010 | Numerique | 0:27:00
Taking care of her corporally handicapped intellectual father confronts a young engaged woman with quite ambivalent feelings.
|
| |
|
Towards the Sun |
En solskinnshistorie |
|
Marius Soma
Norvège
2011 | Numerigue | 0:10:00
We are following Kasper’s inner struggle to break away from Susanne, who is ill, for a life that is more free.
|
| |
|
Personal Velocity |
|
|
Jon Vatne
Norvège
2010 | Numerique | 0:26:00 | Documentaire
It is said that one can tell eight million stories from New York City, one for each inhabitant. Personal Velocity tells two, and even though they seem similar – young men in the big city with cycling as a life style – they are also very different. An energetic film about a relatively unknown scene, in one of the world’s greatest metropolises.
|
| |
|
The Beginning of No Night |
|
|
Camilla Figenschou
Norvège
2010 | Numerique | 0:15:00
Two youngsters in an ambivalent relation between love and compeling provocation on their way to their secret place, a bunker from World War II. In the darkness, they strumble upon an old rofle which releases a tension between them.
|
| |
|
October 5th - 16th 2011
We present film series focused on different countries and regions. This section intends to discover and explore different spaces and cultures with the aim to understand the specific regional, political and social circumstances, do reconstruct the emotional and intellectual spécificities of a special region or country. In this critical work we belief it's essencial to prefer films which rufuse, in its form and expression, the retake of sterotype ways of reality restituition, as an act of resistance in the actual period of "globalisation", which inclins to impose one dominating model of culture and habitutes..
|
|
|
|
