Bea de Visser is recognized for her film art, installation work and sound performances. In her work she questions elementary issues with a social undercurrent, poetical in nature, based on conceptual design, by alternative narration, in a cinematic language.

Bea de Visser attended the Rijksakademie van Beeldende Kunsten in Amsterdam (1993- 1995). Prior she pursues her studies painting with a study electroacoustic sound. She initially began her career as a sound and performance artist in the trendy club scene and artist’s spaces early 1980-ies. With her installation work she was asked for international exhibitions in museums, art spaces and galleries, including MoMA New York, National Museum Prague, Madrid, Pittsburgh and the Stedelijk Museum Amsterdam. Her films are screened at international film festivals worldwide.
Bea de Visser leads to date the independent studio Anotherfilm that nowadays works as a platform for scenario and film development. bShe is a lecturer at the University of the Arts, Utrecht.

A Breath Hush (1996, short), Another Another (1999, short), The Barren Land (2001, short), Roses and Fall (2006, short), The Second Memory (2004, short), Just a Minute Yoko (2004, short), Mama Superfreak (2009, short), Chairs Missing (2011, short) The animal that therefore I am / l’Animal que donc je suis (2019, short).