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Le 17e Festival International
Signes de Nuit
Paris
3 - 13 october, 2019
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Focus
Bosnia Herzegovina # 2 |
Sunday 6 october, 2019 / 6 pm
Maison du Portugal
Cité internationale universitaire de Paris |
Omarska
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PARIS PREMIERE |
Varun Sasindran
Germany, Bosnia-Herzegovina
2018 | 00:18:00
The former building of the Omarska concentration camp is now a factory
belonging to ArcelorMittal. The firm's production is now made in the
very place where civilians were imprisoned. There is no memorial for
the victims killed in Omarska. Once a year, the space is opened to the
public for commemoration. The film tries to reconstruct the site's
space in 3D animation based on archival images, videos, and recent
photographs, all guided by the accounts of the camp's survivors.
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ReGenertation
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Emir Kapetanovic
Bosnia and Herzegovina
2018 | 1:16:00
Almost 25 years after war and genocide shattered Bosnia-Herzegovina,
can the country's youth show the way to reconciliation, peace, and
prosperity?
"ReGeneration" follows ten "reconciliation ambassadors" (Serb, Croat,
and Bosniak) as they come to terms with their past and envision their
future. Embarking on a journey to hear the stories of their elders and
peers - war veterans, survivors, politicians, journalists, religious
leaders, and community activists - they will try to forge hope out of
tragedy.
The odds against it are staggering; rampant political corruption,
ethno-nationalism, trauma, and youth unemployment make optimism
extremely difficult to come by, but the ambassadors are determined to
never give up on each other or the country they love.
ReGeneration allows the people of Bosnia-Herzegovina to share their
voices, their stories, and their witness. In their catharsis, they
will try to heal wounds, rebuild bridges, and rediscover their shared
humanity. |
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October 3 - 13 , 2019
The FISDN present film series focused on different countries and regions. This section intends to discover and explore different spaces and cultures with the aim to understand the specific regional, political and social circumstances, do reconstruct the emotional and intellectual spécificities of a special region or country. In this critical work we belief it's essencial to prefer films which rufuse, in its form and expression, the retake of sterotype ways of reality restituition, as an act of resistance in the actual period of "globalisation", which inclins to impose one dominating model of culture and habitutes.
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