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Le 17e Festival International
Signes de Nuit
Paris
3 - 13 october, 2019
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****** |
French Touch |
Sunday October 13, 2019 / 6 pm
Maison du Japon
Cité internationale universitaire de Paris |
Journey throught a Body
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Camille Degeye
France, Germany
2019 | 00:32:00
Thomas, a Swiss-German musician, is stuck at home because of a broken
foot. He wanders around his tiny Parisian flat, his leg in a plaster,
busy composing a new piece. At sunrise, an unexpected female visitor
is showing up at the door. |
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Les coursiers de la République
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Badredine Haouari
France
2018 | 00:33:00
The Place de la République in Paris serves as provisional home base
and intersection point for the bicycle couriers Ibrahim, Bathily and
Martin. They live far out in the suburbs, but the streets around the
square are their territory. In this job they earn fast money, but very
little. Artfully artless observations by the filmmaker – as if this
story were happening just like that and in passing. But how delicately
this “in passing” is created!
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Ghost Plaisure
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Plaisir fantôme |
PARIS PREMIERE |
Morgan Simon
France
2019 | 00:15:00
Jeanne, a sumpuary prostitute, is raising her 9-year-old daughter,
Mylène, and is thinking about their next trip to the sea. |
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Les espoirs
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Young Hope |
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Daniel Touati
France
2018 | 00:20:00
Is youth really the best time of our life? The students of the Lycée
in Roubaix mostly feel stressed and pressured, afraid they won’t meet
the demands of our performance society. Director Touati creates a
cinematic space in which they can open up and describe their worries
and hopes. A touching moment of honesty that raises the question of
what a school that does not anticipate social pressures would have to
look like. |
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October 3 - 13 , 2019
The FISDN present film series focused on different countries and regions. This section intends to discover and explore different spaces and cultures with the aim to understand the specific regional, political and social circumstances, do reconstruct the emotional and intellectual spécificities of a special region or country. In this critical work we belief it's essencial to prefer films which rufuse, in its form and expression, the retake of sterotype ways of reality restituition, as an act of resistance in the actual period of "globalisation", which inclins to impose one dominating model of culture and habitutes.
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