|
|
|
The 16th International Festival
Signes de Nuit
Paris
October 4th - 14th, 2018
|
|
|
|
|
|
|
|
|
|
|
|
|
|
****** |
Focus Asia |
Saturday 6, october
2018 / 2 pm
Maison du Japon
Cité internationale
universitaire de Paris |
Seasonal Rain
|
|
FRENCH PREMIERE |
Aung Phyoe
Myanmar
2016 | 00:30:00
Since she enters her early adulthood, everything around Aye Aye seems
to be falling apart. She starts to see things differently, at the same
time she is being treated very differently even by her own parents.
She has to face the stress of her desires, parental expectations, the
need to find her place in a repressive society. Aye Aye grew up with
her distant cousin, Tin Swe since she was a child. Even their
relationship starts changing the equilibrium. |
|
|
Death of a Reader
|
|
FRENCH PREMIERE |
Mahde Hasan
Bangladesh
2017 | 00:09:00
A confession from a filmmaker. Unable to read books anymore, he tries
to justify himself before the camera. |
|
|
The Robe
|
Witt Yone |
FRENCH PREMIERE |
Wera Aung
Myanmar
2016 | 00:18:00
In 2007, during the Saffron Revolution in Myanmar, thousands of people
take to the streets to protest the oppressive military regime. When a
young Buddhist monk runs for his life as the soldiers disperse a
demonstration, he finds himself at the door of a Muslim woman. |
|
|
Song of Silence
|
|
FRENCH PREMIERE |
Kelzang Dorjee
Bhutan
2016 | 00:16:00
A girl, born deaf and wishing to hear, travels through the four
elements of nature: earth, air, fire and water. But when her wish is
granted, and she manages to hear the sounds of this earth, she is
disappointed, overwhelmed with the noises of our digital world.
Slowly, she falls back into silence. |
|
|
October 4 - 14 , 2018
The FISDN present film series focused on different countries and regions. This section intends to discover and explore different spaces and cultures with the aim to understand the specific regional, political and social circumstances, do reconstruct the emotional and intellectual spécificities of a special region or country. In this critical work we belief it's essencial to prefer films which rufuse, in its form and expression, the retake of sterotype ways of reality restituition, as an act of resistance in the actual period of "globalisation", which inclins to impose one dominating model of culture and habitutes.
|
|
|
|