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The 14th International Festival
Signes de Nuit
Paris
November 24 - December 4, 2016
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****** |
Focus Latin America # 1 |
Friday 25, November 2016 / 2 pm
Maison du Mexique
Cité internationale
universitaire de Paris |
Pursuing Irenice
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Thiago Mendonça
Brazil 2015 / 0:25:00
Recovering someone silenced by dictatorship. "Pursuing Irenice" is the
search for a forgotten athlete. A story erased by the military.
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+ d'infos  |
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Tupianas
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Marcos Bonisson, Khalil Charif
Brazil
2016 / 0:06:00
This moving image work is an assembly of Super 8 footage filmed in
many different places in Brazil during the 70’s. It’s a reflection
about the idea of Tupi, the great native nation of inhabitants who
lived in this vast solar territory.
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+ d'infos |
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Ecuador, with the eyes close
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Ecuador, con los ojos cerrados |
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Daniel Chamorro
Spain
2014 / 0:20:00
Ecuador is a country full of changes that fights for develop itself.
Manos Unidas is helping in that way. A poetry guide us to discover it,
with the eyes closed.
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+ d'infos |
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World Cup is Over
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Acabou a Copa |
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Patrick Zeiger
Brazil
2015 / 0:13:00
During the 2014 World Cup, a fan and a protest photographer live
different experiences, until fate crosses their paths.
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+ d'infos |
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The Vortex
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La Vorágine |
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Cristóbal Sánchez
Chile
2015 / 0:21:30
Corruption materializes into a giant landfill site that expands
uncontrollably, which devours collective hopes and memories from the
city and their inhabitants. This is the story behind "The Vortex", a
documentary that combines with fiction to immortalize for posterity
the Great Fire of Valparaíso of 2014, the worst disaster of this kind
in the history of Chile.
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+ d'infos |
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November 24 - December 4, 2016
The FISDN present film series focused on different countries and regions. This section intends to discover and explore different spaces and cultures with the aim to understand the specific regional, political and social circumstances, do reconstruct the emotional and intellectual spécificities of a special region or country. In this critical work we belief it's essencial to prefer films which rufuse, in its form and expression, the retake of sterotype ways of reality restituition, as an act of resistance in the actual period of "globalisation", which inclins to impose one dominating model of culture and habitutes.
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