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The 10th International Festival
Signes de Nuit
Paris
October 11th - 16th 2012
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Program Nocturne
# 2 |
Saturdat October 13th, 2012 / 2 am
Maison du Portugal – André de Gouveia
Cité Universitaire de Paris |
Landscape with Figures |
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Christopher Q. Gozum
Philippines
2009 | 0:15:00
Surreal random MMS texts for a mother, a sister and a wife who longs for you: landscape with figures.
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Wata
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Enrique Castro Rios
Panama, Costa Rica
2010 | 0:13:15
Stuck between her memories, her perceptions and her imagination, a woman tries to survive with her redfish to an apocalyptical drought which caused a water war.
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Martha Must Fly |
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Ma'ayan Rypp
Israel
2011 | 0:25:00
Martha is a foreign worker in the employ of an aging woman who refuses to die. Feeling trapped, Martha finds refuge inside her imaginary world. When she decides to make her escape to the real world, she discovered the price of freedom.
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The Perfection in Your Hand |
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Guillermo P. Bosch
Spain
2011 | 0:10:00
An emerging model for advertisements suffers, all of a sudden, a pysical defect that drives him into a process of self destruction. A descent into hell around the obsession with looks.
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Zimmer 606 |
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Peter Volkart
Switzerland
2012 | 0:15:00
Jonathan Fisch tries to sell glass eyes knocking on the door of people. One night, in a poor hotel, his room, number 606, makes some deceits. On the other side of the walls, things happened...
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Voodoo |
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Mijal Bloch
Argentina
2012 | 0:15:40
Video-performance of a video ritual.
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October 5th - 16th 20112
We present film series focused on 16 different countries and regions. This section intends to discover and explore different spaces and cultures with the aim to understand the specific regional, political and social circumstances, do reconstruct the emotional and intellectual spécificities of a special region or country. In this critical work we belief it's essencial to prefer films which rufuse, in its form and expression, the retake of sterotype ways of reality restituition, as an act of resistance in the actual period of "globalisation", which inclins to impose one dominating model of culture and habitutes.
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