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15. Internationales Festival
Zeichen der Nacht
(Signes de Nuit)
Berlin
Deutschland
Januar 21 - 22, 2017
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Wettbewerb
Kurzfilm
# 3 |
Sonntag 22, January 2017 / 14 pm
ACUDkino
Berlin / Germany
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Leeches |
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BERLIN PREMIERE
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Sethi Payal
India
2016 | 0:26:00
In the chaotic old city of Hyderabad, 16-year old Raisa hatches a
dangerous & improbable plan to save her younger sister from becoming a
one-day bride.
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Arnie |
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BERLIN PREMIERE
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Rina B. Tsou
Taiwan, Philippines
2016 | 0:24:00
Docked at the port of Kaohsiung, Filipino seaman Arnie buys a ring
with the help of his mates, to propose to his girlfriend back home.
The supposedly happiest moment of his life soon takes a downward
spiral when he finds out she is pregnant - but he is not the father of
the child.
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FIRAQ |
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GERMAN PREMIERE
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Kalli Zifou
Great Britain
2016 | 0:10:12
A Syrian couple during their final moments together as they cannot
both afford to seek for refuge
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The Woodpeckers of Rotha |
Dayaa |
GERMAN PREMIERE
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Bibhusan Basnet, Pooja Gurung
Nepal, France
2015 | 0:16:00
Atimaley and Devi’s village is haunted by memories. When a dear friend
leaves the village without saying “goodbye”, the old couple faces a
dilemma; to keep living with the memories or to leave the village for
good?
Why create anything when everything ends as dust and grime? Is it for
the sake of remembrance? Is it for the immortality of the subject or
the ‘artist’ itself? Or for the hope that our ‘work of art’ will one
day come alive and lift our souls from this mess of life ? ‘Dadyaa’
started out as an exercise to test these very themes around an old
couple in the highlands of Jumla. But once again, life happened and
the wonderful mess around it helped us as directors to draw parallels
between our fictious world and the reality that exists in remote
Nepal.
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Mother |
Madre |
GERMAN PREMIERE
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Simón Mesa Soto
Sweden
2016 | 0:14:00
16 year-old Andrea leaves her neighborhood in the hills of Medellin to
attend a downtown casting call for a porno film.
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January 21 - 22, 2017
Eine internationale Jury überschaut das Kurzfilmpanorama aus aller Welt. Das FISDN präferiert Filme, die gesellschaftlich sensible Themen in orgineller Weise thematisieren, Filme, die Ambiguität und Komplexität nicht scheuen, die zuweilen enigmatisch bleiben, so dass die Reflexion über sie nicht abbricht, aussergewohnliche Filme, die alle Fommen künstlerischen Ausdrucks nutzen und offen sind für ästhetische Innovation, kurz Filme, die die irritierende Fremdheit der gegenwätigen Welt im komplexer Weise darstellen.
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